Probabilistic Segmentation of Musical Sequences using Restricted Boltzmann Machines. Mathematics and Computation in Music. 9110:323-334.. 2015.
An auditory twist on visual search using head movement controlled ambisonics. International Computer Music Conference.. 2010.
Conceptualizing Creativity: From Distributional Semantics to Conceptual Spaces. Proceedings of the Sixth International Conference on Computational Creativity.. 2015.
Co-occurrences of harmonics bootstrap pitch and tonality perception in music: Evidence from a statistical unsupervised learning model. CogSci 2015: The annual meeting of the Cognitive Science Society.. 2015.
An information-theoretic account of musical expectation and memory. Proceedings of the 35th Annual Conference of the Cognitive Science Society.. 2013.
Meta4meaning: Automatic Metaphor Interpretation Using Corpus-Derived Word Associations. Proceedings of the Seventh International Conference on Computational Creativity.. 2016.
Musical change deafness: The inability to detect change in a non-speech auditory domain. In B. C. Love, K. McRae, & V. M. Sloutsky (Eds.), Proceedings of the 30th Annual Conference of the Cognitive Science Society (pp. 969-974).. 2008.
The sparsity of simple recurrent networks in musical structure learning. Proceedings of the 31th Annual Conference of the Cognitive Science Society.. 2009.
The Structure of Chord Progressions Influences Listeners’ Enjoyment and Absorptive States in EDM. International Conference on Music Perception and Cognition.. 2018.
The Effect of Repetitive Structure on Enjoyment in Uplifting Trance Music. In Proceedings of the 14th International Conference for Music Perception and Cognition (ICMPC). :280-282.. 2016.
From Bach to the Beatles: The simulation of human tonal expectation using ecologically-trained predictive models. International Society for Music Information Retrieval Conference (ISMIR).. 2017.
Intelligibility of Sung Lyrics: A Pilot Study. International Society for Music Information Retrieval Conference (ISMIR).. 2017.
Modeling metaphor perception with distributional semantics vector space models. Workshop on Computational Creativity, Concept Invention, and General Intelligence.. 2016.
Modelling Novice and Expert Listeners’ Ability to Detect Changes in Short Melodies. International Conference on Music Perception and Cognition.. 2018.
Music and Motion-Detection: A Game Prototype for Rehabilitation and Strengthening in the Elderly. IEEE International Conference on Orange Technologies (ICOT 2017).. 2017.
Rhythmic Entrainment for Hand Rehabilitation Using the Leap Motion Controller. Proceedings of The 19th International Society of Music Information Retrieval (ISMIR) Conference.. 2018.
Schematic processing as a framework for learning and creativity in CBR and CC. Proceedings of the 23rd International Conference on Case-Based Reasoning. :151-155.. 2015.
Change detection and schematic processing in music. Psychology of Music.. 2018.
Entraining IDyOT: timing in the information dynamics of thinking. Frontiers in Psychology: Auditory Cognitive Neuroscience. 7:1575. 2016.
Evaluation of Musical Creativity and Musical Metacreation Systems. ACM Comput. Entertain.. 14(3):3:1–3:33.. 2016.
From Context to Concept: Exploring Semantic Relationships in Music with Word2Vec. Neural Computing and Applications.. In Press.
From Distributional Semantics to Conceptual Spaces: A Novel Computational Method for Concept Creation. Journal of Artificial General Intelligence. 6(1):55-86.. 2015.
Harmonic Structure Predicts the Enjoyment of Uplifting Trance Music. Frontiers in Psychology. 7:1999.. 2017.
Information-Theoretic Properties of Auditory Sequences Dynamically Influence Expectation and Memory. Cognitive Science. 42:43-76.. 2018.
Musical expectancy: The influence of musical structure on emotional response. Behavioral and Brain Sciences. 31(5):584–585.. 2008.
Workshop on Auditory Neuroscience, Cognition, and Modeling. Psychomusicology: Music, Mind, and Brain. 26(3):288-292.. 2016.
The Learning Trajectory Of Musical Memory: From Schematic Processing Of Novel Melodies To Robust Musical Memory Representations. Cornell University, Department of Psychology. PhD. 2013.